View Article{"id":105,"date":"2019-03-31T13:04:34","date_gmt":"2019-03-31T13:04:34","guid":{"rendered":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/?page_id=105"},"modified":"2020-01-21T00:55:11","modified_gmt":"2020-01-20T23:55:11","slug":"kate-sinhas-writing","status":"publish","type":"page","link":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/kate-sinhas-writing\/","title":{"rendered":"Kate Sinha&#8217;s Writing OLD"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ayns-creature\/\">Ayn&#8217;s Creature (Dutch)<\/a><\/strong><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ayns-creature\/\">About Ayn Rand, but also a po\u00ebtica of KIRAC.<\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ayns-creature\/\">Commissioned by De Balie, June 2019<\/a><\/p>\n<p><a href=\"https:\/\/tpo.nl\/2018\/08\/27\/de-valse-noot-de-ambtenaar-als-aartsvijand-van-de-kunstenaar\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>De valse noot: de ambtenaar als aartsvijand van de kunstenaar<\/strong><\/a><br \/>\n<a href=\"https:\/\/tpo.nl\/2018\/08\/27\/de-valse-noot-de-ambtenaar-als-aartsvijand-van-de-kunstenaar\/\" target=\"_blank\" rel=\"noopener noreferrer\">Opinie ThePostOnline, August 27, 2018<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/katesinhakandidaat.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Kate stelt zich kandidaat als directeur van het Stedelijk Museum<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/katesinhakandidaat.html\" target=\"_blank\" rel=\"noopener noreferrer\">&#8216;Zodra het Stedelijk Museum zich onder mijn leiding openstelt, zal zij daardoor meteen vrijer zijn om zowel een relevante als originele artistieke koers te varen.&#8217;<br \/>\nJune 25, 2018<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/stigmafeminist.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Email with art teacher (Dutch)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/stigmafeminist.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kate on feminism and Kirac. &#8216;Baas in eigen hoofd&#8217;.<br \/>\nMay 10, 2018<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/tokentalent.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Token \u00e9n talent<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/tokentalent.html\" target=\"_blank\" rel=\"noopener noreferrer\">About the Rietveld cancelation and Zanele Muholi.<br \/>\nOpinie Volkskrant. February 14, 2018<\/a>.<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/mondriaansdesire.html\"><strong>Mondriaan&#8217;s Desire<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/mondriaansdesire.html\">Additional text to &#8216;KIRAC 10: The bad breath of Mondriaan specialist Hans Janssen&#8217;. <br \/>\nNovember 2017.<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/beatrixrufexit.html\"><strong> De Toekomstige Directeur van het Stedelijk Museum<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/beatrixrufexit.html\">About the exit of Stedelijk Museum director Beatrix Ruf.<br \/>\nIn Dutch. ThePostOnline. October 22, 2017<\/a>.<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/funding-text-2017\/\"><strong>KIRAC 2017 (Dutch)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/funding-text-2017\/\">Funding text for Mondriaanfonds. (Funding was granted)<\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/funding-text-2017\/\">Stefan Ruitenbeek and Kate Sinha. January 15, 2017<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/objection-2017\/\"><strong>Objection (Dutch)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/objection-2017\/\">Objection against decision Mondriaanfonds to not grant us funding for KIRAC 2017<\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/objection-2017\/\">Stefan Ruitenbeek and Kate Sinha. November 14, 2016<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/charlie-hebdo\/\"><strong>Charlie Hebdo: &#8216;t Is niet om de knikkers, maar om &#8216;t recht van &#8216;t spel<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/CharlieHebdo.html\">June 1, 2016.<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/KunstenaarenpopulistKoons.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Kunstenaar en populist. Jeff Koons<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/KunstenaarenpopulistKoons.html\" target=\"_blank\" rel=\"noopener noreferrer\">Februari 15, 2016<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/JeffKoonsendeOudheid.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jeff Koons en de Oudheid<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/JeffKoonsendeOudheid.html\" target=\"_blank\" rel=\"noopener noreferrer\">Februari 10, 2016<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/Vrouwenendegeesteswetenschappen.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Vrouwen en de geesteswetenschappen<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/Vrouwenendegeesteswetenschappen.html\" target=\"_blank\" rel=\"noopener noreferrer\">November 10, 2015<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ayn&#8217;s Creature (Dutch) About Ayn Rand, but also a po\u00ebtica of KIRAC. Commissioned by De Balie, June 2019 De valse noot: de ambtenaar als aartsvijand van de kunstenaar Opinie ThePostOnline, August 27, 2018 Kate stelt zich kandidaat als directeur van het Stedelijk Museum &#8216;Zodra het Stedelijk Museum zich onder mijn leiding openstelt, zal zij daardoor&#8230; <a class=\"view-article\" href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/kate-sinhas-writing\/\"><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/105"}],"collection":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":19,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/105\/revisions"}],"predecessor-version":[{"id":2698,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/105\/revisions\/2698"}],"wp:attachment":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/media?parent=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}