View Article{"id":1965,"date":"2019-07-04T15:19:45","date_gmt":"2019-07-04T13:19:45","guid":{"rendered":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/?page_id=1965"},"modified":"2025-08-04T22:51:24","modified_gmt":"2025-08-04T20:51:24","slug":"writing","status":"publish","type":"page","link":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/writing\/","title":{"rendered":"Writings"},"content":{"rendered":"<p>Coming: Kate Sinha, Stefan Ruitenbeek and Mette Maria van Dijk are each working on individual book projects, with the release dates yet to be announced.<\/p>\n<p>Writings:<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ennobling-portraiture\/\">Ennobling Portraiture<\/a><br \/>\n<\/strong>power to form, and form to power.<br \/>\nStefan Ruitenbeek, 2025 August 2<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/allyandenemy\/\">Ally and enemy<\/a><br \/>\n<\/strong>Kate Sinha, 2025 January 21<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2022\/06\/Persbericht-Kunstenaar-Tarik-Sadouma-bezoekt-debatcentrum-De-Balie-op-15-juni-2022.pdf\">Kunstenaar Tarik Sadouma bezoekt debatcentrum De Balie op 15 juni 2022 &#8211; Dutch<\/a><\/strong><br \/>\nPersbericht<br \/>\nKate Sinha, Juni 9, 2022<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/farewell\/\">Farewell to institutions &#8211; KIRAC 24<\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/farewell\/\">English<\/a> &#8211; <a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/afscheid-van-de-instituten-kirac-24\/\">Dutch<\/a><br \/>\n<\/strong>About the developments around KIRAC Episode 24 &#8216;Under a Sinking Sun&#8217; and our show at KIOSK &amp; KIOSK Ghent.<br \/>\nKate Sinha, April 1, 2022<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/mail-to-jeremy\/\"><strong>Email to Kate&#8217;s former professor in art theory, Jeremy Tanner, University College London<br \/>\n<\/strong><\/a>About Episode 16 &#8216;King Philip and the Pied Flycatcher&#8217; and how KIRAC developed.<br \/>\nKate Sinha, November 3, 2019<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ayns-creature-english\/\">Ayn&#8217;s Creature<br \/>\n<\/a><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ayns-creature-english\/\">English<\/a> &#8211; <a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ayns-creature\/\">Dutch<\/a><\/strong><br \/>\nAbout Ayn Rand, but also a po\u00ebtica of KIRAC.<br \/>\nKate Sinha, Commissioned by De Balie, June 2019<\/p>\n<p><a href=\"https:\/\/tpo.nl\/2018\/08\/27\/de-valse-noot-de-ambtenaar-als-aartsvijand-van-de-kunstenaar\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>De valse noot: de ambtenaar als aartsvijand van de kunstenaar (Dutch)<\/strong><\/a><br \/>\nKate Sinha, Opinie ThePostOnline, August 27, 2018<br \/>\n<a href=\"http:\/\/De valse noot: de ambtenaar als aartsvijand van de kunstenaar\">TEXT ON KIRAC PAGE<\/a><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/katesinhakandidaat.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Kate stelt zich kandidaat als directeur van het Stedelijk Museum (Dutch)<\/strong><\/a><br \/>\n&#8216;Zodra het Stedelijk Museum zich onder mijn leiding openstelt, zal zij daardoor meteen vrijer zijn om zowel een relevante als originele artistieke koers te varen.&#8217;<br \/>\nKate Sinha, June 25, 2018<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/stigmafeminist.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Email with art teacher (Dutch)<\/strong><\/a><br \/>\nKate on feminism and Kirac. &#8216;Baas in eigen hoofd&#8217;.<br \/>\nKate Sinha, May 10, 2018<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/tokentalent.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Token \u00e9n talent (Dutch)<\/strong><\/a><br \/>\nAbout the Rietveld cancelation and Zanele Muholi.<br \/>\nKate Sinha, Opinie Volkskrant. February 14, 2018<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/mondriaansdesire.html\"><strong>Mondriaan&#8217;s Desire (English)<\/strong><\/a><br \/>\nAdditional text to &#8216;KIRAC 10: The bad breath of Mondriaan specialist Hans Janssen&#8217;. <br \/>\nKate Sinha, November 2017<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/beatrixrufexit.html\"><strong> De Toekomstige Directeur van het Stedelijk Museum (Dutch)<\/strong><\/a><br \/>\nAbout the exit of Stedelijk Museum director Beatrix Ruf.<br \/>\nKate Sinha, In Dutch. ThePostOnline. October 22, 2017<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/kirac\/\">KIRAC?<\/a><\/strong><br \/>\nKate Sinha wrote this text to accompany the release of KIRAC 8: &#8216;The Art of Stefan Simchowitz&#8217;<br \/>\nKate Sinha. July 2, 2017<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/funding-text-2017\/\"><strong>KIRAC 2017 Funding text (Dutch)<\/strong><\/a><br \/>\nFunding text for Mondriaanfonds. (Funding was granted)<br \/>\nStefan Ruitenbeek and Kate Sinha. January 15, 2017<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/objection-2017\/\"><strong>Objection (Dutch)<\/strong><\/a><br \/>\nObjection against decision Mondriaanfonds to not grant us funding for KIRAC 2017<br \/>\nStefan Ruitenbeek and Kate Sinha. November 14, 2016<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/charlie-hebdo\/\"><strong>Charlie Hebdo: &#8216;t Is niet om de knikkers, maar om &#8216;t recht van &#8216;t spel (Dutch)<\/strong><\/a><br \/>\nKate Sinha, June 1, 2016<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/artist-and-populist\/\">Artist and populist. Jeff Koons\u00a0<\/a><\/strong><br \/>\n<strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/artist-and-populist\/\">English<\/a> &#8211; <a href=\"https:\/\/www.keepingitrealartcritics.com\/KunstenaarenpopulistKoons.html\">Dutch<\/a><\/strong><br \/>\nKate Sinha, Februari 15, 2016<\/p>\n<p><strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/jeff-koons-and-antiquity\/\">Jeff Koons and Antiquity<\/a><\/strong><br \/>\n<strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/jeff-koons-and-antiquity\/\">English<\/a><\/strong> &#8211; <a href=\"https:\/\/www.keepingitrealartcritics.com\/JeffKoonsendeOudheid.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Dutch<\/strong><\/a><br \/>\nKate Sinha, Februari 10, 2016<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/Vrouwenendegeesteswetenschappen.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Vrouwen en de geesteswetenschappen (Dutch)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.keepingitrealartcritics.com\/Vrouwenendegeesteswetenschappen.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kate Sinha, November 10, 2015<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Coming: Kate Sinha, Stefan Ruitenbeek and Mette Maria van Dijk are each working on individual book projects, with the release dates yet to be announced. Writings: Ennobling Portraiture power to form, and form to power. Stefan Ruitenbeek, 2025 August 2 Ally and enemy Kate Sinha, 2025 January 21 Kunstenaar Tarik Sadouma bezoekt debatcentrum De Balie&#8230; <a class=\"view-article\" href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/writing\/\"><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/1965"}],"collection":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1965"}],"version-history":[{"count":46,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/1965\/revisions"}],"predecessor-version":[{"id":5529,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/1965\/revisions\/5529"}],"wp:attachment":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}