View Article{"id":3790,"date":"2021-05-15T09:17:34","date_gmt":"2021-05-15T07:17:34","guid":{"rendered":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/?page_id=3790"},"modified":"2026-01-25T10:17:47","modified_gmt":"2026-01-25T09:17:47","slug":"extras","status":"publish","type":"page","link":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/extras\/","title":{"rendered":"EXTRAS"},"content":{"rendered":"<h4>&nbsp;Love of the game<\/h4>\n<p>This film was made by my composer Brant Teunis and filmmaker Sebastiaan Verbeeten, featuring their muse, Sandra Soliman, a.k.a. Bimbo Ubermensch.<\/p>\n<p>&#8220;<span class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\">In search of material for the book she was writing, <\/span><span class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3 r-b88u0q\">Sandra<\/span><span class=\"css-1jxf684 r-bcqeeo r-1ttztb7 r-qvutc0 r-poiln3\"> was simultaneously ruining the lives of several men and her own. We were fortunate enough to turn that delicious clusterfuck into a beautiful film. Watch it now on <a href=\"https:\/\/open.substack.com\/pub\/vanackerartgallery\/p\/love-of-the-game\">Substack<\/a> and savor the wickedness of women.&#8221;<\/span><\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu.jpg\"><noscript><img loading=\"lazy\" width=\"1920\" height=\"1080\" class=\"alignnone size-full wp-image-5665\" src=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu.jpg\" alt srcset=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu.jpg 1920w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-250x141.jpg 250w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-700x394.jpg 700w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-768x432.jpg 768w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-1536x864.jpg 1536w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-120x68.jpg 120w\" sizes=\"(max-width: 1920px) 100vw, 1920px\"><\/noscript><img loading=\"lazy\" width=\"1920\" height=\"1080\" class=\"alignnone size-full wp-image-5665 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 1920w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" data-srcset=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu.jpg 1920w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-250x141.jpg 250w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-700x394.jpg 700w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-768x432.jpg 768w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-1536x864.jpg 1536w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu-120x68.jpg 120w\" data-src=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2026\/01\/still-cu.jpg\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Art and Tyranny, Sinha, Ruitenbeek, d&#8217;Alancaisez<\/h4>\n<p><span style=\"font-weight: 400;\">I am pleased with this conversation. <\/span><a href=\"https:\/\/petitpoi.net\/\"><span style=\"font-weight: 400;\">Pierre d\u2019Alancaisez<\/span><\/a><span style=\"font-weight: 400;\">, critic and curator of the art space <\/span><a href=\"https:\/\/verdur.in\/\"><span style=\"font-weight: 400;\">Verdurin<\/span><\/a><span style=\"font-weight: 400;\">, speaks with us about our upcoming artwork and the <\/span><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ennobling-portraiture\/\"><span style=\"font-weight: 400;\">theory<\/span><\/a><span style=\"font-weight: 400;\"> behind it. Our optimism mirrors his pessimism, which allows us to articulate our stance on power and authority. It is a conversation about a world sliding into a multipolar, authoritarian, post-democratic reality \u2014 and what this means for art, for our art. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Autonomy kills eros<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">&#8211; \u2060<\/span><a href=\"https:\/\/open.substack.com\/pub\/graymirror\/p\/the-riddle-of-the-niggardly-billionaires?r=e2c71&amp;utm_campaign=post&amp;utm_medium=email\"><span style=\"font-weight: 400;\">N***** Billionaires<\/span><\/a><span style=\"font-weight: 400;\"> and the collapse of meaning without aristocracy<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">&#8211; Nietzsche\u2019s artist metaphysics as a path beyond democracy<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And for some gossip: at 41:40 we discuss the unforgivable erotic ambush on <\/span><a href=\"https:\/\/im1776.com\/2023\/09\/07\/on-nietzsche\/\"><span style=\"font-weight: 400;\">Daniel Miller<\/span><\/a><span style=\"font-weight: 400;\">, literary editor of <\/span><i><span style=\"font-weight: 400;\">IM1776<\/span><\/i><span style=\"font-weight: 400;\">, by <\/span><a href=\"https:\/\/substack.com\/@bimboubermensch\"><span style=\"font-weight: 400;\">Sandra<\/span><\/a><span style=\"font-weight: 400;\"> and other KIRAC courtiers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Runtime: 2h 9m, Release date thursday september 11, 2025<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"Art and Tyranny - Sinha, Ruitenbeek, d&#039;Alancaisez\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/FTndTJEZer4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"Art and Tyranny - Sinha, Ruitenbeek, d&#039;Alancaisez\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/FTndTJEZer4?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n<h4>Arthur Dugin &#8211; The Metaphysics of the Russian State<\/h4>\n<p><span style=\"font-weight: 400;\">I wrote a text on \u201c<\/span><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/ennobling-portraiture\/\"><span style=\"font-weight: 400;\">ennobling portraiture<\/span><\/a><span style=\"font-weight: 400;\">\u201d when a young man approached me. He turned out to be the son of the famous Russian philosopher Alexander Dugin. What could someone in his position find in my ideas about art, and what could I learn from him, from the other side of the war?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A conversation with Artur Dugin, painter Alexey Bevza, and philosopher Willem de Witte.<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">Dugin is curator of the Moscow avant-garde collective Sovereign Art.<\/span><\/p>\n<p>\u2022 Arthur&#8217;s reading of Honeypot<br>\n<span style=\"font-weight: 400;\">\u2022 Till Eulenspiegel and the fate of the jester from the 15th century Council of Basel into modernity<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">\u2022 Artur\u2019s traditionalism versus KIRAC\u2019s view on the future of art<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">\u2022 Who controls reality?<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">\u2022 Artur\u2019s metaphysics of the Russian state<\/span><\/p>\n<h4><span style=\"font-weight: 400;\">Artur Dugin is also known as Dima Khvorostov \u2014 Twitter: @KhvorostovDima<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">Alexey Bevza: @bevzianstvo<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">Monday, August 25, 2025, Runtime 61 minutes<br>\n<\/span><\/h4>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"Artur Dugin - The Metaphysics of the Russian State (First part)\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/UI2ny0Wz_SE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"Artur Dugin - The Metaphysics of the Russian State (First part)\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/UI2ny0Wz_SE?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>\n<p>Porkchop Express talks to Ruitenbeek<\/p><\/h4>\n<p>Porkchop Express has read all of Dostoevsky in Russian, including novels, diaries, and the archive. She has an X account where she connects his work to current events and daily life. <\/p>\n<p>The conversation is about freedom and what its function is \u2014 for an individual and for a society \u2014 when it is no longer treated as a value reserved for, and perverted by, leftist politics. <\/p>\n<p>August 7, 2025 &#8211; Watch full conversation and all our films on <a href=\"https:\/\/www.patreon.com\/keepingitrealartcritics\">Patreon<\/a> or via our own <a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/support\/\">system.<\/a><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"Porkchop Express talks to Ruitenbeek FIRST HALF\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/ij_vRCrBfwU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"Porkchop Express talks to Ruitenbeek FIRST HALF\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/ij_vRCrBfwU?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>A patron visits KIRAC Studio<\/h4>\n<p>Tomas Postema, a KIRAC patron, visits KIRAC studio during the creation of KIRAC episode 27. Directed by Sebastiaan Verbeeten. As a courtesy to our patrons, only they get to watch it for now. <strong><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/support\/\">Become a Patron now!<\/a><\/strong><br>\n25 minutes. 2024 March 22.<\/p>\n<p><a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron.jpg\"><noscript><img loading=\"lazy\" width=\"1920\" height=\"1080\" class=\"alignnone size-full wp-image-5238\" src=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron.jpg\" alt srcset=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron.jpg 1920w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-250x141.jpg 250w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-700x394.jpg 700w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-768x432.jpg 768w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-1536x864.jpg 1536w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-120x68.jpg 120w\" sizes=\"(max-width: 1920px) 100vw, 1920px\"><\/noscript><img loading=\"lazy\" width=\"1920\" height=\"1080\" class=\"alignnone size-full wp-image-5238 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt srcset=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 1920w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" data-srcset=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron.jpg 1920w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-250x141.jpg 250w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-700x394.jpg 700w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-768x432.jpg 768w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-1536x864.jpg 1536w, https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron-120x68.jpg 120w\" data-src=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-content\/uploads\/2024\/03\/thumbnail-studio-visit-patron.jpg\"><\/a><\/p>\n<h4>&nbsp;<\/h4>\n<h4>KIRAC talk &#8211; Assholes, Dostoyevski, Mai Spijkers<\/h4>\n<p><span style=\"font-weight: 400;\">What Peter Vack, the director and writer of the film Assholes, can learn from Dostoyevski&#8217;s use of &#8216;supercharacters&#8217;, how you can make the petty characters that you want to tell stories about, enormous. And Kate&#8217;s experience at the garden party of Dutch publisher Mai Spijkers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tags: <\/span><span style=\"font-weight: 400;\">Assholes, Peter Vack, Crime and Punishment, Dostoyevski, Raskolnikov, Svidrigailov, Porfiry, Betsey Brown, Jack Dunphy, Dasha Nekrasova, The Scary of Sixty-First, Ryan Trecartin, Psychoanalysis, NYC, Jewish culture, intimacy, Mai Spijkers, Prometheus books<br>\n35 minutes, 2022 sept 7<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC talk - Assholes, Dostoyevski, Mai Spijkers\" src=\"https:\/\/player.vimeo.com\/video\/746869797?h=3ebfbd57ad&amp;dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/noscript><iframe title=\"KIRAC talk - Assholes, Dostoyevski, Mai Spijkers\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" data-src=\"https:\/\/player.vimeo.com\/video\/746869797?h=3ebfbd57ad&amp;dnt=1&amp;app_id=122963\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>KIRAC movie talk &#8211; The Scary of Sixty-First<\/h4>\n<p><span style=\"font-weight: 400;\">Dasha Nekrasova\u2019s Scary is filled with female characters engaging in lesbian love and some sex with unimpressive male dorks. A dominant, aggressive, male entity is present however, but only in a distant, metaphysical symbolic sense: in the form of Jeffrey Epstein and the mystery that surrounds him. What is the meaning of this? Whilst talking about the film and its quality as a film, Kate and Stefan stumble upon this question and try to answer it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some other artist and artworks that come up: <br>\n<\/span><span style=\"font-weight: 400;\">Ryan trecartin, Citizen Kane, Marilyn Monroe, Taxi Driver, Cindy Sherman, Elizabeth Taylor, Red Scare, I hate myself:) by Joanna Arnow, Britney spears, Jeffrey Epstein, Harvey Weinstein, Lilya4ever, Easy rider, Blow Up.<br>\n54 minutes, 2022 Aug 10<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC movie talk - The Scary of Sixty First by Dasha Nekrasova\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/vyXAQCRLw1o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"KIRAC movie talk - The Scary of Sixty First by Dasha Nekrasova\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/vyXAQCRLw1o?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>KIRAC movie talk &#8211; Midsommar<\/h4>\n<p><span data-offset-key=\"ao7p5-0-0\">Kate and Stefan discuss Ari Aster&#8217;s Midsommar and other things that pop up. Such as: Cannibal Holocaust, Once Upon a Time in\u2026 Hollywood, Salo, Death in venice, Funny Games, The Shining, Blair Witch Project, The most beautiful boy in the world (Bj\u00f6rn Andr\u00e9sen), Medea, Primo Levi, Vera Mulder (redacteur vooroordelen De Correspondent), Rihanna &amp; Amber Heard. (link tmrw)<br>\n57 minutes, 2022 Jul 20<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC movie talk - Midsommar\" src=\"https:\/\/player.vimeo.com\/video\/729133202?dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/noscript><iframe title=\"KIRAC movie talk - Midsommar\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" data-src=\"https:\/\/player.vimeo.com\/video\/729133202?dnt=1&amp;app_id=122963\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>KIRAC movie talk &#8211; Sal\u00f2, or the 120 days of Sodom<\/h4>\n<p>Kate and Stefan discuss Pasolini\u2019s 1975 film Sal\u00f2, fascism, mediocrity and morose monumental marxist film making. As we are in the middle of making a new long feature film, which is a hardcore process of giving birth to the unknown, it\u2019s nice to document and upload these light, intimate conversations that Kate and me anyway have after watching a movie. Of course the camera has an influence: if you reference something you must make sure that the audience get\u2019s it as well, in stead of moving on swiftly, relying on the library of references you build up whilst in a relationship. But otherwise I try to keep these conversations as natural as possible. I hope you enjoy them too.<br>\n14 minutes, 2022 Jul 6<\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC movie talk - Sal\u00f2, or the 120 days of Sodom (Full version on Patreon)\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/x9nYXmkhBJ0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"KIRAC movie talk - Sal\u00f2, or the 120 days of Sodom (Full version on Patreon)\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/x9nYXmkhBJ0?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>KIRAC movie talk &#8211; Balzac&#8217;s \u2018Lost Illusions\u2019 by Giannoli<\/h4>\n<p><span class=\"style-scope yt-formatted-string\" dir=\"auto\">About the film adaptation of Balzac\u2019s novel \u2018Lost Illusions\u2019 by director Xavier Giannoli, but also very much about Balzac and what he means for art &amp; artists today. And: <\/span><span class=\"style-scope yt-formatted-string\" dir=\"auto\">Amadeus, Milos Forman, Girls, Lena Dunham, Quentin Tarantino, Philp &amp; Inge van den Hurk.<br>\n<\/span><span class=\"style-scope yt-formatted-string\" dir=\"auto\">107 minutes, 2022 Jun 16<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC movie &amp; book talk - Balzac&#039;s \u2018Lost Illusions\u2019 film adaptation by Giannoli (2021)\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/LOMAsL4XZxM?start=3412&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"KIRAC movie &amp; book talk - Balzac&#039;s \u2018Lost Illusions\u2019 film adaptation by Giannoli (2021)\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/LOMAsL4XZxM?start=3412&#038;feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>KIRAC Movie Talk &#8211; &#8220;What is a woman&#8221; by Matt Walsh ft. Cameron David Moreno<\/h4>\n<p>Milo Yiannopoulos, Jordan Peterson, Archetypes, Bildung, America versus Europe, Sex, Medea, Lord Byron<br>\n43 minutes, 2022 Jun 8<\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC movie talk ft. Cameron David Moreno - What is a woman (2022)\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/RQY3Ax-DVp0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"KIRAC movie talk ft. Cameron David Moreno - What is a woman (2022)\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/RQY3Ax-DVp0?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>KIRAC Academy &#8216;Kate&#8217;s vision&#8217;<\/h4>\n<p>Kate&#8217;s vision for how an art academy should be shaped, how you can improve your art by working with KIRAC, and what art is. <br>\n15 minutes. May 13, 2021<\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC Academy &#039;Kate&#039;s vision&#039;\" src=\"https:\/\/player.vimeo.com\/video\/548860366?dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/noscript><iframe title=\"KIRAC Academy &#039;Kate&#039;s vision&#039;\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" data-src=\"https:\/\/player.vimeo.com\/video\/548860366?dnt=1&amp;app_id=122963\" class=\" lazyload\"><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n<h4><b>KIRAC Diary \u2018Tales of a KIRAC intern\u2019<\/b><\/h4>\n<p>Sebastiaan wanted an internship at KIRAC. This is his diary.<br>\n11 minutes. 2020 Feb 26<\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC Diary &#039;Tales of a KIRAC intern&#039;\" src=\"https:\/\/player.vimeo.com\/video\/516795267?dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/noscript><iframe title=\"KIRAC Diary &#039;Tales of a KIRAC intern&#039;\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" data-src=\"https:\/\/player.vimeo.com\/video\/516795267?dnt=1&amp;app_id=122963\" class=\" lazyload\"><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><b>KIRAC Talk \u2018Artist Luca Bertolo interviews KIRAC for Artribune magazine\u2019<br>\n<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">Artist Luca Bertolo interviewed us for Artribune Magazine. This is the video I shot of the entire conversation.I think I get into a flow from question 4 and onwards, minute 13:30. Before that it might be interesting but I&#8217;m still a bit inside my head, the words coming out a bit vague and abstract. <br>\nThings discussed: Thomas Bernhard, Mozart, Emmanuel Kant, Well-fare state. <br>\n<\/span><a href=\"https:\/\/www.artribune.com\/professioni-e-professionisti\/who-is-who\/2021\/02\/critica-arte-intervista-collettivo-kirac\/\"><span style=\"font-weight: 400;\">Article here (In Italian)<\/span><\/a> <span style=\"font-weight: 400;\">40 minutes, 2020, Feb 17<br>\n<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"\u2018Artist Luca Bertolo interviews KIRAC for Artribune magazine\u2019\" src=\"https:\/\/player.vimeo.com\/video\/511272397?dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/noscript><iframe title=\"\u2018Artist Luca Bertolo interviews KIRAC for Artribune magazine\u2019\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" data-src=\"https:\/\/player.vimeo.com\/video\/511272397?dnt=1&amp;app_id=122963\" class=\" lazyload\"><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n<h4>Podcast #2 &#8216;KIRAC goes Russia with Alexander Shilov&#8217;<\/h4>\n<p><span style=\"font-weight: 400;\">Alexander Shilov invites us to Russia because he likes KIRAC. He wants us to do something in Moscow. He&#8217;s concerned with the state of the Moscow art scene and the possibilities for artists there. He makes his money as a yacht-broker travelling back and forth between Ibiza en Moscow. It was a great honour to tell him about the program I&#8217;m developing to groom art collectors into real Patrons, which could prove very beneficial for Moscow. This program involves portraiture in the literary tradition of Dostoyevski and Balzac. I don&#8217;t know how compatible the program I&#8217;m proposing is with the Anglo-Saxon \/ American way of thinking, because these guys are so utilitarian in everything cultural they do. I think what we are trying to do is a very European \/ Russian \/ Eastern thing. That&#8217;s why I think we have great chances in Russia.<br>\n2020 september 25, 12 minutes<\/span><\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC podcast 2: KIRAC goes Russia with Alexander Shilov\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/GvkK9khEyeo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><iframe title=\"KIRAC podcast 2: KIRAC goes Russia with Alexander Shilov\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-src=\"https:\/\/www.youtube.com\/embed\/GvkK9khEyeo?feature=oembed\" class=\" lazyload\"><\/iframe><\/div>\n\n<h4>&nbsp;<\/h4>\n<h4>Podcast #1 &#8216;The Video PhD&#8217;<\/h4>\n<p>Featuring Mathieu Weggeman<br>\nIf we don&#8217;t get enough support we will stop to exist! Support us by watching on <a href=\"https:\/\/vimeo.com\/ondemand\/kiraccast1\">VimeoOnDemand<\/a>, or become a <a href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/support\/\">supporter<\/a> and get mega courtesy access.<br>\n2020 september 3, 1 hour 9 minutes.<\/p>\n<p><\/p><div class=\"video-container\"><noscript><iframe title=\"KIRAC PODCAST 1 \u2018The Video PhD\u2019 ft. Professor Mathieu Weggeman\" src=\"https:\/\/player.vimeo.com\/video\/454529846?dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/noscript><iframe title=\"KIRAC PODCAST 1 \u2018The Video PhD\u2019 ft. Professor Mathieu Weggeman\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" data-src=\"https:\/\/player.vimeo.com\/video\/454529846?dnt=1&amp;app_id=122963\" class=\" lazyload\"><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Love of the game This film was made by my composer Brant Teunis and filmmaker Sebastiaan Verbeeten, featuring their muse, Sandra Soliman, a.k.a. Bimbo Ubermensch. &#8220;In search of material for the book she was writing, Sandra was simultaneously ruining the lives of several men and her own. We were fortunate enough to turn that delicious&#8230; <a class=\"view-article\" href=\"https:\/\/www.keepingitrealartcritics.com\/wordpress\/extras\/\"><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/3790"}],"collection":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3790"}],"version-history":[{"count":32,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/3790\/revisions"}],"predecessor-version":[{"id":5668,"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/pages\/3790\/revisions\/5668"}],"wp:attachment":[{"href":"https:\/\/www.keepingitrealartcritics.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}